Life and Death in Frosts Stopping by Woods and Thomas Do Not Go Gentl

Life and Death in frostings Stopping by forest and Thomas Do Not Go Gentle Robert covers Stopping by woodland on a white Evening and Dylan Thomas Do Not Go Gentle into That Good Night reflect deeply on twain heart and goal. Frost interprets death as rest and peace from a hard and deserving keep, whereas Thomas depicts death as an early residuum to an unfulfilled life. Contrary to Thomass four characters who rage against death because of its premature arrival, Frosts speaker accepts death save is inclined to live for promises therefore both Frost and Thomas choose life over death, plainly for conflicting reasons. Robert Frosts deeply-rooted beliefs in nature influence him to view death positively. Through enticing images of retirement and relaxation and peaceful diction, Frost explains why nature and death coincide. Frost makes mysteries, such as death, resolve into the natural and suddenly the mysterious becomes wide (Nicholl 194). His choice to use darkest evening of the year helps to set the mystery border death, but the simplicity of the character and the scenery bring death proximate to nature suddenly the absolute is brought near, and made almost visible (Nicholl 194). The exclusive human beings encountering woods that are gentle, dark, and deep create a contradiction of feelings that intertwine the mystery and simplicity of death. The dark and deep foreshadow the fears and enigmas of dying. The lovely negates the anxiety and demonstrates the excitement and desire to die. Though death seems scary and unknown, it is in like manner wonderful and peaceful to the central character. The traveler appears desiring a rest and death is an enchanting choice. With pleasant images as easy wind and downy flake, the man becomes a... ...ngness (Roberts 378). Frost?s traveler is faced with a choice of life or death and chooses life not to attain grandeur but to keep promises. Thomas?s four kinds of men maintain the correct to fight against death fo r life, but only because life is too abruptly and greatness is yet to be achieved. Frost induces that death should be embraced because it is synonymic with sleep, whereas Thomas concludes that death should be contested due to its hindrance of achievements, but similarly both Frost and Thomas choose the alternative of life to that of death. Works CitedFrost, Robert. Stopping by Woods on a Snowy Evening. The Norton Anthology of American Literature. Ed. Julia Reidhead. 5th ed. 2 vols. New York Norton, 1998.Thomas, Dylan. ?Do Not Go Gentle Into That Good Night.? Sound and Sense. Eighth edition. Ed. Laurence Perrine. Orlando Harcourt Brace, 1992.