Wednesday, March 20, 2019
Divine Comedy - Sin and Judgment in Dantes Inferno Essay -- Divine Co
Dantes Concept of Sin and shrewdness in The Inferno Infidelity, murder, betrayal, and conspiracy all play an integral bump in the story of the relationship between Jason and Medea. Jason is guilty of all intravenous feeding acts and Medea involves her ego in three. Yet, perhaps, in the eyes of Dante, Medea might steady down further into the solid ground of Dis than Jason. But, should she? And, is Dantes view of Jason and his sentence in Hell appropriate? From Dantes perspective, crimes of passion or desire atomic number 18 the least abhorrent and consequently merit negligible punishment in comparison to what he believes are the more austere offenses. These sinners, the carnal, the gluttonous, the hoarders and wasters, along with the wrathful and sullen fall just below the immaculate pagans in Dantes hell. In some way, they represent a loss of self control, of reason gone amiss, as each plunges into a personal orbit of self indulgence. To Dante, those that su ccumb to the pleasures of the will deserve an eternity less painful than those who fall into emotional or psychological despair. Yet, like the sins that constitute placement deeper in the bowels of Hell, all represent a punishment equal to or broody of the sin as it existed in life. For example, the carnal are banished to an eternity of macrocosm whirled about by the wind (Dante) forever lusting after what they sought in life. They reach for shadows that were once the bodies they desired. However, in Hell the only thing they olfactory property is the passion they lost. Next, Dante describes the sinners who dwell within the walls of Dis. Confined to the city of Hell are the heretics and those who commit acts of violence against either their neighbors, themselves, or God, art, or... ...f transgressions, betrayal of ones benefactor, and both deserve to torment each other for eternity in the pit of Hell. work Cited Dante. The Inferno. Trans. John Ciardi. New Yor k Penguin, 1954. Euripides. Medea. Trans. Rex Warner. New York Dover, 1993. Hamilton, Edith. Mythology Timeless Tales of Gods and Heroes. New York Penguin, 1969. Ovid. Metamorphoses. Trans. A.D. Melville. New York Oxford UP, 1986.